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Showing posts with the label exchange projects

Collaboration 3.0 # 21 Architecture.

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Architecture Stephanie Turnbull Linocut 4/10 Steph Unusual choice for a girl from Wales, Stephanie's linocut sweeps up and beyond the book covers to form the shapes of the Harbour Bridge with the sails of the opera house in the foreground.  Printed in the cool colour of steel, this book this is a strong work and is well suited to the subject of architecture. Tic Tac Tictac, 'some windows never open' mixed media, 5/10 Textural paper with large open windows cut and folded over to form the book, gives the appearance of building material. Large areas are cut to form windows, but are blocked by what appears to be framed photographs with a misty outlook, embellished with black and red markers, the works takes on a mysterious air. Well constructed and thought out book. Cinzia Cinzia  'Zoot and flight' eight house shape float across  a text filled background, the tan colour of the shapes contrast well against the white of the background. There are n...

Queenscliffe Gallery 2020 Human Emotion Print Exchange details.

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2020 Human Emotion Print Exchange details QG print exchange The print exchange exhibition is a highlight event during the Queenscliff Literary Festival – and just as much anticipated by the literary world as it is by the art world. The print exchange theme for 2020 will focus on various human emotion. The literature titles have been compiled by The Bookshop at Queenscliff who will also source each book title that will be posted to each artist participating in the print exchange. All previous print exchange portfolios can also be viewed online. https://qgw.com.au/human-emotion-print-exchange/ I am delighted to participate in this year’s Queenscliff Gallery print exchange. Each artist is assigned a book based on human emotion, with the intention of reading and responding. The only restrictions are the size and type of printmaking technique used. The book assigned to me was Oliver Sacks’s captivating work titled ‘Gratitude’. It is a collection of essays reflecting on his lif...

Queenscliff Gallery exchange project

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Oh what joy, just received this in the post, opened it with all the eagerness of a child on Christmas morning, a big thank you to all the participating artists and to the Queenscliff Gallery, I love them all and will document and post each and every one at a later date.

Queenscliff Historia project 2019

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What a great exhibition. Queenscliff* Gallery & Workshop (QG&W) Open 6 days 10am - 5pm (closed Tuesdays & between exhibitions) Queenscliffe* Literary Festival Exhibition & Historia Print Exchange: May 2-June 30 Feature events during the exhibition Michael Leunig & Jim Pavlidis in Conversation Alcestis, world premiere reading of playwright Kat Moritz’s radical adaptation of Euripides’ Alcestis Jim Pavlidis’ Kitchen Sink Drama illustrations FEATURED ARTISTS: Michael Leunig, Marion Manifold, Jim Pavlidis & Gwen Scott. PRINT EXCHANGE ARTISTS: Helene Athanasiadis, Jenine Bailey, Dianne Colk, Warren Cooke, Beth Croce, Ann Cunningham, Sue Ernst, Silvi Glattauer, Kate Gorringe-Smith, Kim Herringe, Julie Holmes, Alex Hotchin, Kyoko Imazu, Gary James, Maureen King, Anita Laurence, Larissa MacFarlane, Soula Mantalvanos, Emmy Mavroidis, Catherine McCue, Kerry Anne...

Mokulito how to

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Catherine Mc Cue  One hundred and thirty kilometres from Eronmanga, south west of Queensland is a gas plant, where working as an artist in residence I was free to explore the landscape in and around the plant.  My main interest was in the visual contamination of the surrounding landscape. The images produced use techniques such as mokulito, ‘wood lithography’, monoprint and digitally altered photography. Steel Landscape depicts the harsh landscape that surrounds the plant, the work focuses on the disused material from the plant, now embedded in the dry earth, which in a way has become an accidental sculptural form.  Steel Landscape Mokulito This one was a little different to the others, I did the same preparation as the others, sand, milk, draw add a little nitric  to the gum, but left the plate a lot longer than usual due to unforeseen circumstances. This work also included the use of mono printing to form the background colour, using a cl...