Artist Catherine Mc Cue Boes

Mokulito  It  appears to be an unconventional method of commencing, but wood lithography or mokulito offers a remarkable alternative to stone lithography. Essentially, it operates in the same manner, albeit without the necessity of substantial stone and specialised printing presses. While it is feasible to print without using a press, this particular series of work will employ an etching press. To begin this project, select images from my brief two-minute sketches. These sketches use different life models and aren’t intended to be completed works. I was looking for bold lines and simple compositions, and I didn’t want to invest too much time in them, as it’s the mokulito process, that iam interested in. I started  this project by selecting images from my sketches. These are concise two-minute sketches featuring various life models and are not intended to be completed works.   

MOKULITO  As a printmaker, I find it challenging to accept that the sole viable approach is to adhere to traditional methods and techniques exclusively for print production. While endeavouring to sustain my artistic endeavours, I ventured into the realm of digital and large-format printing. Securing a living through my art proved unfeasible, necessitating the production of archival prints for photographers and artists to support my income. In my fascination with the potential of merging traditional printmaking with digital techniques, I embarked on a research journey. As a university student, I was introduced to photography, which captivated me. However, it was not until later in my career that I connected printmaking with the possibility of combining the two to create hybrid prints. Located approximately 130 kilometres from Eronmanga, southwest Queensland, lies a gas plant. During my tenure as an artist in residence, I was granted the freedom to explore the surrounding landscape. ...

 Artist book, experimental linocut, hand coloured digital background. 

My artist’s book, a significant work, has been accepted into the InkMasters print award. It is an immense honour to be part of this esteemed exhibition, alongside many renowned artists. Thank you for this opportunity.

Hybrid printmaking In the midst of a full-house renovation, my schedule has been severely curtailed, leaving me with only one day a week dedicated to studio work. Despite this, I have managed to continue working on some ideas for new hybrid prints and drawings. The ongoing COVID-19 pandemic has cast a shadow over our lives, and it has been a challenging two years. The constant discussions surrounding the virus have made it difficult to escape its influence. It is undeniable that this pandemic has had a profound impact on our lives, and it is time to reflect on the significance of freedom of movement and travel. I share the sentiments of many others who have family members currently in lockdown. Unfortunately, I am unable to visit or provide assistance to them. The isolation and restrictions imposed are undoubtedly difficult, but they are crucial in controlling the ever-evolving nature of this virus. Returning to work, I am currently focussing on digital prints, which reflect my current...

 Artist book Here are additional images of the now-complete artist’s book, which has taken several years to complete. During this time, several state prints were created. These early trial prints will be sold as individual works of art. I am updating to inform you that my latest project has been completed. It has been an incredible project, involving the creation of images, printing, and finally assembling the book. Over three years of hard work and dedication have been invested in this major undertaking. I would like to express my sincere gratitude to writer and artist Sue Hutton for the words that accompanied the images, adding another layer of depth and meaning to this remarkable artist’s book. 

Rust and Bones new work looking at the decline of and decay of buildings old and new. New Work

2020 Human Emotion Print Exchange details QG print exchange The print exchange exhibition is a highlight event during the Queenscliff Literary Festival – and just as much anticipated by the literary world as it is by the art world. The print exchange theme for 2020 will focus on various human emotion. The literature titles have been compiled by The Bookshop at Queenscliff who will also source each book title that will be posted to each artist participating in the print exchange. All previous print exchange portfolios can also be viewed online. https://qgw.com.au/human-emotion-print-exchange/ I am delighted to participate in this year’s Queenscliff Gallery print exchange. Each artist is assigned a book based on human emotion, with the intention of reading and responding. The only restrictions are the size and type of printmaking technique used. The book assigned to me was Oliver Sacks’s captivating work titled ‘Gratitude’. It is a collection of essays reflecting on his lif...

Artwork by Catherine Mccueboes 

November 12th to 24th   Breathing Space 3  “Breathing Space is the time you allow yourself to think, to regroup, to reflect on ideas. It is also the space where you can make mistakes and from this, learn to assimilate ideas or discard them.  Nothing is more important to an artist’s than this time” Christine Turner – Synthetic posters,    Jennifer McDuff – Painting, Susan Hutton – Encaustics Digital imagining,   Trevor Spohr – Ceramics,    Wilhelmus Breikers –  Painting,  Catherine McCue – Mokulito Wood Lithography and lino Opening Night Event  Friday 15th  6 to 8pm Exhibition hours  10am to 6pm daily https://breathingspace3.wixsite.com/breathing-space